EPiC in Every Way: My 48 Hours in Toronto for Baz Luhrmann’s New Elvis Film.
I just recently spent a whirlwind 48 Hours in Toronto for the world premiere of Baz Luhrmann’s new Elvis movie, EPiC, and what an unforgettable experience it was. Im not even talking about the red eye to NY, only to miss my connection, book another flight and make it to the premiere with minutes to spare. That’s a whole story in itself. From the moment the lights dimmed to the final thunderous applause, it felt less like a film screening and more like being transported into Elvis Presley’s world.
Baz Luhrmann at the TIFF world premiere of EPIC: Elvis Presley in Concert September 6, 2025
The first thing that struck me was the crisp colors and stunning footage. Every frame popped off the screen with a clarity and richness that made it feel as though Elvis himself was stepping right into the room. I’m thoroughly convinced that every single piece of Elvis footage should be digitized to this quality. He’s just too mesmerizing to not. Baz’s trademark visual flair was on full display, but this time it carried an intimacy that made the King’s story feel deeply personal. We have all heard stories about Elvis from everyone he knew personally, to his Dentists brother’s cousin. So it was refreshing to hear from the man himself.
The films editing, masterfully crafted by Jonathan Redmond, The same genius behind the 2022 Austin Butler Elvis movie, was nothing short of breathtaking. Seamless transitions and perfectly timed cuts gave the story a pulse, a rhythm that matched Elvis’s own electric energy. Redmond’s touch made it feel as though Elvis wasn’t just being remembered, he was speaking to US, sharing his inner thoughts and emotions with every beat. There were scenes in the movie where I audibly gasped and put my hand to my chest because I couldn’t believe some of the new footage. Footage that hasn’t been seen in over 50 years!! Not all of the footage was new, but what I appreciated about the new footage is, it added more context to some of the footage we have already seen, which told the story better.
It wasn’t just a biopic; it was a conversation, a confession, a love letter. It showed a man completely committed to his craft and talent. I walked out of the theater feeling as if I had spent real time with him, hearing his heart and soul through the music and the moments Baz brought to life.
Despite the fact that EPiC doesn’t yet have a distributor, the buzz in the theater was undeniable. Word is that there’s serious interest, and judging by the audience’s reaction, and the extra added shows that instantly sold out, it’s only a matter of time before it finds a home. People were literally dancing and cheering in their seats. So much so that Baz even noticed me dancing during the film. But it’s physically impossible not to get swept up in the soundtrack and the immersive energy of the film. This film is a MUST SEE on the big screen. Like I said previously, this is an immersive experience.
This wasn’t just a movie, it was an experience. The music, the visuals, the emotion…everything worked together to remind us that Elvis is, indeed, still in the building. Baz Luhrmann has once again redefined what music driven film should be, and if this premiere was any indication, EPiC is destined to become exactly what its name promises.
Toronto was the perfect backdrop for this extraordinary moment, and as I boarded my flight home, I couldn’t help but feel grateful to have witnessed the start of what will no doubt be another Baz Luhrmann classic, and another resurgence of Elvis just as he did in 2022
Between October 2-15th 2025 Joopiter is presenting ELVIS: The EPiC Vision of Baz Luhrmann, an auction of iconic memorabilia from Elvis’ movie. You can also bid on VIP screening to the premiere and private screening!
Check my gallery to see more photos from the premiere.
